Scan of the sound engineer’s set list, dated and autographed.
From Sweet Songs To Street Songs
Review by Brian Currin
From the simplistic, yet instantly recognisable bass guitar intro of I Wonder, to the last fading echoes of Thanks For Your Time, this was a show that enthralled everyone from the die-hard old fans with their balding heads and beer paunches to the new virgin devotees.
From sweet songs to street songs,
from bitter to beautiful,
from minor keys to metal mayhem,
from tear-jerker to tear-it-up,
from disgusting songs to rock anthems…this was truly a magic show of vast proportions.
Rodriguez has not released new material in over 25 years, he has no chart-topping singles, yet he opens to a standing ovation – and everybody sings along to all the songs.
Colin Taylor from KFM radio opened the show by shouting with great enthusiasm:
“Cape Town, put your hands together and welcome a true legend on stage – Rodriguez!”
Reuben Samuels started a slow drum beat and when Graeme Currie introduced that classic bass line (de-de de-de de-dum) the crowd went wild in instant recognition and when The Man slipped quietly onto the stage, the Velodrome stood up in adoration for this long-lost legend. I Wonder was wonderful and after the song, Rodriguez just stood and stared at the audience in awe.
Only Good For Conversation was done hard and heavy with great guitar from Willem Möller.
“..you’re so proper and so cute” sang Rodriguez with a smile in his voice.
Can’t Get Away was superb and when he started to sing the second verse again by mistake, the band supported him and the audience forgave him.
All the favourites followed with the arrangements staying very close to the originals and the crowd hanging on every word. Tonia Selley from The Pressure Cookies and Big Sky provided superb backing vocals throughout.
A highlight was the solo rendition of “A Most Digusting Song” sung with great humour. “There’s someone here who’s almost a virgin I’m told” was met with much laughter.
And when he sang “…your government will provide the shrugs” a responsive chord was hit, even though this song was written in 1970!
Rodriguez doesn’t say much, he lets his music and words speak to us, but he did give us one message:
“I want to wish you the best of luck
in everything you do,
you’re gonna do it,
you’re gonna solve it,
you’re gonna heal ’em,
you’re gonna do it“
– perceptive and profound words from this poet and prophet.
And then into an absolutely incredible blues-rock version of Climb Up On My Music. Willem Möller burnt up his fretboard with a classic rock guitar solo and Russel Taylor played a jazzy-blues keyboard solo which left us breathless.
Rodriguez slipped away as the band ended the song, but soon returned to perform a 3-song encore starting with Sugar Man, then Establishment Blues and ending with the perfect show-closer Forget It with those poignant words “Thanks for your time“.
“Thank you, Cape Town” sang Rodriguez.
No, thank YOU, Rodriguez – the mystery and myth may be gone, but the music and memories will live forever and the magic of that night will stay with us always.
1. Wish You Were Here – Pink Floyd 2. Baker Street – Gerry Rafferty 3. I Don’t Like Mondays – The Boomtown Rats 4. Lady In Black – Uriah Heep 5. Me & Bobby McGee (live on Sessions @AOL 2003) – Pink 6. The Man Who Sold The World (live 1994) – Nirvana 7. No Woman No Cry (live 1975) – Bob Marley & The Wailers 8. Live Is Life (live 1985) – Opus 9. Zombie – The Cranberries 10. Question – The Moody Blues 11. Diamonds & Rust – Joan Baez 12. I Walk The Line – Johnny Cash 13. Lola – The Kinks 14. Sweet Home Alabama – Lynyrd Skynyrd 15. I’d Rather Go Blind – Beth Hart and Joe Bonamassa 16. Parisienne Walkways – Gary Moore feat Phil Lynott 17. Holy Mother (live 1996) – Eric Clapton, Luciano Pavarotti & East London Gospel Choir 18. Amazing Grace (live at Bonnaroo, 2011) – Mumford & Sons with Friends 19. Let’s Start A Band – Amy Macdonald 20. Knockin’ On Heaven’s Door – Guns N’ Roses
1. Life Child (remix 2012) – Ramases Incarnate 2. Hello Mister – Blonde From Fargo feat Casey O Day 3. And The Whole World – Martin Ekman 4. Quasar One (out-take version) – Ramases 5. You’re The Only One – Hugo 6. Earth People – The NoMen 7. Molecular Delusion – Douya 8. Balloon – Ethan Gold 9. Dying Swan Year 2000 – Haroula Rose 10. Jesus Come Back – Julia Othmer 11. Journey To The Inside – The Space Monks feat The Subatomic Alliance
McCully Workshop is arguably one of South Africa’s finest pop rock bands. They started way back in the ’60’s, had their first hit single in 1970, dominated the South African airwaves in the ’70’s, continued through the ’80’s and ’90’s and in the 21st century are still going strong.
IN THE BEGINNING
When asked about their beginnings, vocalist, bassist and producer Tully McCullagh had this to say: “My brother, Mike, who plays drums and myself would play around and record ourselves in the lounge, I was about nine at the time. We recorded a track called ‘Swinging Time’ with some other friends when I was thirteen and sent it to a record company. The track didn’t get anywhere but it was quite interesting. We grew a bit more and when I was sixteen we started a band called McCully Workshop and a whole string of other bands and I started a garage studio.”
McCully Workshop has had many line-up changes over the years, but these 2 talented brothers have always surrounded themselves with superb musicians.
In 1965, the McCullagh brothers, Tully (born Terence on 31st May 1953) and Mike (born Michael on 7th April 1947) started as a folk-rock trio with Richard Hyam and called themselves the Blue Three. Hyam had previously been in a folk duo, Tiny Folk, with his sister Melanie.
After a few personnel- and name-changes, like The Blue Beats and Larfing Stocke, the line-up settled down (for a while) in 1969 and they called themselves the McCully Workshop because they used to rehearse in Mrs McCullagh’s garage.
Vocalist Glenda Wassman later married Richard Hyam, and then formed the pop band Pendulum who had a big hit with ‘Take My Heart’ in 1976. Glenda Hyam then went on to major success with the all-girl group, Clout, who had a worldwide smash hit with ‘Substitute’, which went to #2 in the UK in 1978.
McCULLY WORKSHOP INC.
Their debut album, ‘McCully Workshop Inc.’ was produced by great South African singer and producer Billy Forrest (born William Boardman). The album features a variety of styles and influences including The Beatles, Frank Zappa and early Pink Floyd.
The Forced Exposure website has this quote: “A superb South African band’s stunning debut album. ‘Sgt. Pepper’ influenced psychedelic music blended with R&B, garage punk tunes. Great songs, lovely vocals, strong harmonies, great distorted guitar work.”
‘Inc.’ was released in June 1970 and included the epic and powerful ‘Why Can’t It Rain’, which went to #12 on the Springbok Radio charts in July 1970 and reached #13 on the LM Radio charts. This hit single featured a fiery guitar solo by Allan Faull who went on to form the eclectic Falling Mirror with his cousin Nielen Marais. Tully McCullagh was also very involved with Falling Mirror, but that’s another story…
McCully Workshop also played on country-pop singer Jody Wayne’s ‘The Wedding’ in 1970 which hit #1 for 3 weeks on the Springbok Radio charts.
The follow-up to ‘Inc’ was the album ‘Genesis’ released in June 1971. This was a concept album based on the book of Genesis from the Bible and included a number of long tracks with sub-sections, typical of other prog-rock albums of the time. ‘Sweet Fields Of Green’ was released as a single, reaching #2 on the LM Radio charts in August 1971. The follow-up single ‘Birds Flying High’ (actually the flipside of ‘Rainbow Illusion’), recorded during the ‘Genesis’ sessions, but not included on the album, peaked at #9 on the LM Radio charts.
Crocodile Harris (born Robin Graham), recorded the haunting pop classic ‘Miss Eva Goodnight’ (Springbok #5, April 1974) which was written by the McCullagh brothers and featured the musicianship of all the then current McCully Workshop members. Harris’s classic pop hit ‘Give Me The Good News’ released in 1982 was co-composed by Crocodile Harris along with Geoff Coxall. Tully McCully produced this single and played on it.
Richard Black (born 9th December 1946) joined McCully Workshop on guitar in 1975. Black had been playing since the early 60’s in bands like Rigar 5 and the Nu-Trends. In 1969 he had been in Elephant with Savvy Grande (who went on to form Suck) and George Wolfaardt from Abstract Truth.
‘Ages‘ was released in 1975 which reflected musical styles from the different ages of music and various influences could be heard: Uriah Heep, The Beatles, The Kinks, The Beach Boys, etc. The vocal harmonies are superb throughout. ‘1623’ is a wonderful violin-led instrumental and the keyboard-dominated ‘Guinevere’ reached #10 on the LM Radio charts and the band even appeared on the very early days of South African TV playing this hit song.
In 1977 the best-known incarnation of McCully Workshop was formed with the addition of Rupert Mellor (born Anthony Rupert Mellor, 7th August 1947). Mellor had been in a variety of bands including The Difference, First Acquaintance, Hell’s Disciples, The Hedgehoppers and The Claude Larson Singers (yes, really).
The 4th McCully Workshop album, ‘Workshop Revisited’, released in late 1977 shot them to prominence when it introduced South African fans to the hits ‘Buccaneer’ and ‘Chinese Junkman’.
‘Buccaneer’ entered the Springbok Radio charts on 11th November 1977 and spent 15 weeks on the charts, reaching the coveted top spot on 30th December that year and staying there for 2 weeks. ‘Buccaneer’ also hit #1 on the Radio 5 charts and Mike McCullagh won the 1978 ‘Songwriter Of The Year’ award for this composition.
The follow-up single ‘Chinese Junkman’ entered the charts in March 1978 and peaked at number 9, spending a total of 8 weeks in the top 20. However on the Radio 5 charts it followed ‘Buccaneer’ to number 1. The next single which was released in 1978 was the non-album track ‘Villa Muddy Water’ which unfortunately did not chart.
McCully Workshop used to play in the late ’70’s at the Canterbury Inn at the Fairmead Hotel in Rondebosch, Cape Town. They were famous for their comedy, ripping off many of the politicians and sportsmen of the day. On Saturday nights McCully Workshop were the resident dance band, and on Sunday nights wonderful renditions of classic progressive rock tunes could be heard. Chicago’s version of The Spencer Davis Group’s ‘I’m A Man’ (with a very long percussion section including all the band members), Barry Ryan’s ‘Eloise’, Traffic’s ‘Feelin’ Alright’ and of course their own songs like ‘Buccaneer’, ‘Fame And Fortune’, ‘Come Let Me Love You’ and ‘Dancin’ Tonite’ were all included in the set list. Of course no dancing was allowed on a Sunday in those dark days, so the audience had to just sit and listen… and listen they did (I know, ‘cos I was there).
THE EIGHTIES AND NINETIES
During the turbulent ’80’s a number of singles were released including a powerful re-recording of ‘Buccaneer’ featuring the guitar talents of Jethro Butow, but with no chart success. Richard Black co-founded Street Level Productions with James Stewart. Black released an instrumental solo CD ‘Skadu Dans’ (Shadow Dance) in 1997. In 1998 the line-up from the late ’70’s reformed and re-recorded the McCully Workshop classics and hits as well as 6 new songs and released the album ‘Buccaneer‘. ‘Why Can’t It Rain’ also received a make-over losing none of its power and gaining an even stronger production. Allan Faull again featured as guest guitarist.
IN THE NEW MILLENNIUM
Tully McCullagh kept running his extremely successful Spaced-Out Sounds Studio in Cape Town. He wrote most of the songs and played bass on the highly acclaimed 2003 release by Cape Town rockers BlueScream. Mike McCullagh had directed many popular musicals since 1988, most notably “Tribute To Bob Dylan”, “Beatlemania” (for Artscape), “Station 70”, “Sixty Something”, “Eighty Something” and “Milestones To The Millennium”. Rupert Mellor, a sort-after session musician, could be seen performing in and around Cape Town.
Mellor and Black along with Flibbertigibbet’s Dave Williams on fiddle, released ‘Sheriff Bush and Deputy Blair’ as an mp3 single in January 2003. Calling themselves the Nukular Stompers they saw this novelty song topping the SAmp3.com charts for 3 weeks and they even appeared on eTV.
BIG IN KOREA
In 2003 a Korean label, Beatball Records, re-issued the first album, ‘McCully Workshop Inc.’ in a mini-gatefold cover. This CD re-issue included detailed sleeve-notes and a printed version of the online Family Tree.
THE WORKSHOP RE-OPENS
McCully Workshop re-formed in 2003 doing a large outdoor concert at Buitenverwachting which attracted over 2000 patrons.
Then in 2004 they performed at Grand West for the Reach For A Dream foundation and raised more than R70000 for them.
Other gigs followed in Paarl and Stellenbosch over the next 4 years.
REACHING FOR A DREAM
In 2005 McCully Workshop finally released a much-demanded ‘Best Of‘ CD. All tracks were newly remastered by Tully McCullagh at his Spaced Out Sound Studio, though in some cases the master tapes were missing, so the original vinyl had to be used. A brand new song, ‘Reaching For A Dream’ was also included on the ‘Best Of’ CD. This uplifting song was composed by all 4 members of McCully Workshop with lyrics by Alistair King and was used as part of a campaign for the Reach For A Dream Foundation.
In early 2008 McCully Workshop played gigs at Die Boer in Durbanville & the Kirstenbosch Botanical Gardens to capacity crowds. A live album recorded at these venues, ‘McCully Workshop Live!’ was released in March 2008 and launched at a series of concerts at The Barnyard Theatre in Willowbridge. This album also included a new studio recording, ‘The Aliens Are Landing’. “Our version of ‘Blueberry Hill’, well known from Canterbury days became an on-demand classic again and is on the ‘Live!’ CD” said Mike McCullagh.
TO INFINITY AND BEYOND
In 2009 McCully Workshop started working on a new album using new mics developed by Tully, which gave the sound an American feel. The album was scheduled for release in 2010 but ‘Work In Progress‘ eventually only saw the light of day in 2013.
Journeyman musician Gordon Mackay, who with his brother Duncan, had started in the late 60’s with the band Tricycle, was added to the line-up playing guitars, keyboards, violin and also singing. Gordon had appeared on the acclaimed 1974 Prog Rock album ‘Chimera’ by Duncan Mackay.
In 2015 the band won best South African group in the annual Wawela Awards with ‘Money In Your Pocket’ (featuring the rapper Brown) voted the best song off the ‘Work In Progress‘ album. They travelled to Johannesburg to receive the award and discovered that many black musicians held them in high esteem!
Tully sold his studio in Cape Town and built one at his home in Camps Bay which was finished in October 2019. A new album ‘Infinity‘ was released in October 2019 to critical acclaim.
In January 2020, Richard Black emigrated to the UK.
During 2020, Tully and Gordon, as McCullagh MacKay, recorded an album of all new keyboard-driven songs in the style of 70’s Prog Rockers Emerson, Lake & Palmer and Rick Wakeman.
After more than 50 years the Workshop is still open for business…
Cape Town, South Africa,
The music industry has felt our influence world wide as the Tulmic [microphone developed by Tully] is now generally accepted as the world’s best guitar mic and my son James … who started doing live sound from the age of 17 and worked extensively with Tully in the studio has now become one of the world’s top sound engineers having worked with top artists like JUSTIN TIMBERLAKE, USHER, MILEY CYRUS, JOURNEY, JOE BONAMASSA, ADELE, KATY PERRY, ROGER TAYLOR AND QUEEN EXTRAVAGANZA and many more … and is held in very high esteem overseas. He is currently with THE BACKSTREET BOYS and 2 years ago when he joined them he innovated their live sound by re-recording all their original tracks with a live band so it sounds like they have a real band behind them as he can mix all the tracks separately … shortly after other artists using tracks copied him … now they all do it … he has also appeared on the cover of the top Sound Magazine in the US last year.
And we all know how successful KEVIN SHIRLEY has become having been taught by Tully.
Mike McCullagh, 22 July 2020
At The Movies
‘Buccaneer’ was used in the movie ‘Moffie’ this year and 2 songs ‘Hardcase Woman’ and ‘Gunpoint’ were used as soundtracks in the ‘Space’ movie …… we also had a track from ‘Work In Progress’ called ‘100 miles per hour’ by Rupert (Mellor) used in another movie ‘Shepherds And Butchers’ in 2017.
Mike McCullagh, 22 July 2020